Monday, January 18, 2010

Ben And Nick In The Aisle! # 25 (January 2010)

Jennifer’s Paranormal Avatar

Ben: Happy Rocking New Year, Aisle Fans! In the coming year, may your life, as well as your aisle, be full of Ben and Nick.

Nick: I had Kinkos make up some fliers to propagate that message. But they were charging by the character, so I just made a thousand fliers that say, “Fill your A. with Ben And Nick”. Then our phone number.

Ben: Our number must be hard to dial, because a lot of these callers have been out of breath.

Nick: Speaking of debacles, Ben, neither you nor I were invited back to Times Square this year, after last year’s affair, wherein we mistakenly referred to host Dick Clark, alternately, as “Father Time”, “The Late Dick Clark”, and “Guy Lombardo”.

Ben: You know what I say: If you’ve seen one ball drop, you’ve seen the next.

Nick: So, Ben, did you kiss anybody on New Year’s?

Ben: I don’t remember. But I did wake up next to Mick Jagger. And those claymation lips from the Twizzlers commercial.

Nick: Speaking of bestiality, our first film is the sprawling 3-D fantasy spectacular Avatar, from director James Cameron. This movie tells the story of a tall thin blue lady, dressed like a Native American, and her amazing attempt to have a nip slip for three hours. This is James Cameron’s follow-up to Titanic, which told the story of Kate Winslet’s nipples, their historical implications, and how they were able to knock a hole in a boat.

Ben: That is not what that was about. Avatar, Nick, is about how in the future, we will need to steal a valuable fictitious mineral from a forest planet inhabited by hunter/gatherers with pointy ears. They will be called the Na’vi, and they will have skin that is colored in a fashionable blue-camo pattern.

Nick: Also, James Cameron has decided that it would be cute if this valuable mineral is named “unobtanium”.

Ben: That name is so damn stupid, Nick, it makes Kid Rock look like Einsteinium.

Nick: Luckily, in the future, according to this movie, we will also have the ability to mix a human’s DNA with a Na’vi DNA, to form a clone, or “avatar”, that can then be “driven” by a human, with his or her mind.

Ben: This movie advances the hurtful stereotype that identical twins can drive each other’s avatars. Nick and I, as identical twins, know that this happens to be true. But that doesn’t prevent it from being terrifically racist.

Nick: Our more erudite readers might be aware that the word “avatar” used to mean something, before it was ruined by the Internet. It originally meant “the body that a god takes, to walk among mortals”, or, “someone that is the figurative embodiment of something”. Now it means, “that picture of a cat, next to your stupid comments on Huffingtonpost”.

Ben: This movie was okay, I guess. The third hour was pretty action-packed. But the first two hours were just about our hero wandering around, sightseeing, and then he rapes a pterodactyl.

Nick: I didn’t care for this movie’s insinuation that primitive oneness with nature is superior to technology and the subjugation of nature. Eventually, all the nature in the universe will need to be disassembled and turned into parts for a giant cosmic computer. It’s all in the Bible, if you read between the lines.

Ben: Nick, it’s in-between the lines that you’re snorting off the Bible.

Nick: Come with us now, won't you, to Ben And Nick In The Video Aisle, for our next film, Paranormal Activity. This film explores the perils of heterosexuality. According to some movies I’ve seen, and some masturbatory fantasies I’ve had, heterosexuality can be complicated: A guy’s got to worry about cooties, babies, and vagina dentata.

Ben: Of course. But this movie touches on a less discussed danger: that special time in a young couple’s relationship, about three years in, when the girl tells the guy about the demon that visits her at night.

Nick: Or her “monthly visitor”, as it’s sometimes called.

Ben: I think that’s something else.

Nick: In this movie a young couples takes to videotaping themselves while they sleep, because they suspect that a poltergeist is occupying their house. But, based on the clues I saw, I began to suspect that their house was in fact being occupied by an uncreative film crew with a tiny budget.

Ben: Nothing happens in this movie, Nick. They should have called it Normal Activity.

Nick: Nothing happens, that is, until the horrifying conclusion, that, by the looks of it, may have cost the filmmakers upwards of ninety-five dollars.

Ben: Why do rank amateurs always gravitate toward horror or porn?

Nick: I don’t know, Ben, but I think, of the two, the one with the more redeeming artistic value is porn.

Ben: Speaking of horrible porn, our next film comes to us again from the video store, and is the Megan-Fox vehicle Jennifer’s Body, starring Megan Fox as Jennifer. And her body.

Nick: This film tells the story of mousey beauty Amanda Seyfried, and her heroic attempt to unearth the premise of this stupid movie. It turns out to have something to do with demons, virgin sacrifice, and high-school girls kissing.

Ben: It was like that made a movie of my life.

Nick: The first thing I noticed about this movie was that everybody spoke in slang baby-talk gibberish. I thought, damn, I haven’t heard dialogue this annoying since I watched Juno.

Ben: It turns out that this movie was indeed written by the same lady that wrote Juno, Academy-Award Winner and dumb person Diablo Cody.

Nick: She joins Al Gore, Ben, in the exclusive club of people who have won Oscars, by triumphantly overcoming the obstacle of not deserving them.

Ben: Heroes.

Nick: I did notice, though, that Jennifer’s Body nicely demonstrates a principle elucidated by David Mamet, which says that most movies would be better if you removed the first ten minutes.

Ben: Nick, I can think of two activities that I’m involved in on a daily basis that I would prefer to miss the first ten minutes of: sex and car accidents.

Nick: It sounds like you found your resolution.

Tuesday, December 15, 2009

Ben And Nick In The Aisle # 24 (December 2009)

An Apocalyptic Christmas Where No One Has Gone Before At Twilight

Ben: Why, Nick, I see that you’ve built a snowman. But I think that you put the carrot in the wrong place.

Nick: But my heart is in the right place, Ben! Because it’s that time of the year again, when Ben and Nick In The Aisle celebrates Christmas!

Ben: Christmas, for fans that don’t know, is the time of the year that Christians celebrate an event that occurred two-thousand-and-nine years ago in ancient Bethlehem, when a stop-motion animated Bing Crosby, aided only by Charlie Brown, prevented the Grinch from Stealing Christmas.

Nick: In honor of that holy occasion, Ben and I, though you can’t really tell in print, are talking like Boris Karloff.

Ben: There are three words that describe you, Nick: Stink; Stank; Stunk!

Nick: But speaking of Jesus, since his birthday is coming up, we’ve reviewed three Christmas Movies this month, that feature Jesus’ three favorite things: werewolves, spaceships, and the end of the world.

Ben: First we take you to Ben And Nick In The Video Aisle, with our Christmas Video Of The Month: Star Trek (2009). This reimagined prequel retells Star Trek so breathtakingly that I nearly rebooted in my pants.

Nick: This J. J. Abrams visual effects spectacular, tells the story of younger versions of Spock and Kirk, as they pursue their separate childhoods, then finally meet. At first they are rivals, but their acrimony soon turns to friendship, when they find themselves having cowboy sex in a tent.

Ben: That doesn’t happen.

Nick: Gradually young versions of all your favorite original Star Trek characters are introduced. Kirk has a thing for a young Ohura, and ends up accidentally getting busy with Ohura’s roommate, who has red hair and green skin.

Ben: So she is either an alien, or else just extremely Irish.

Nick: There’s a Romulan bad guy named Nero, who is armed with a globe of “red matter”, which appears to be a hot sauce so spicy, that when you shoot it into space it creates a black hole.

Ben: This explains the gravitational pull that I feel toward Buffalo Wild Wings.

Nick: It turns out that Nero came from the future, and wants to kill Spock for something that he will do later. All this time traveling eventually leads to [SPOILER ALERT] young Spock meeting an older version of himself, played by Leonard Nimoy!

Ben: I hope science is working on this technology; it’s my only hope for a threesome.

Nick: Or, for that matter, a twosome. Next we saw another Christmas movie: The Twilight Saga: New Moon. This movie explores a classic Christmas theme: the fragile peace that exists between werewolves and vampires.

Ben: It’s fun to have fun with territorial disputes between werewolves and vampires, Nick, but this film is only using that as an allegory for the heart-breaking real-life violence between Fraggles and Doozers.

Nick: Freud famously admitted at the end of his career that the biggest question that he couldn’t figure out was, what do women want? It turns out that they want to be fought over by monsters.

Ben: This, the second of the Twilight movies, based on the successful series of novels, represents yet another installment in our illustrious series: Sequels To Movies That We Haven’t Seen. But apparently these things are all about two teenage virgins, one a girl and one a vampire, that are in love. The guy wants to suck on the girl, but he can’t. Also he wants to drink her blood.

Nick: At first I wasn’t into it. I thought that the pace was plodding, the dialogue was as eloquent as a tweener’s Facebook, and for the really emotional parts, the soundtrack sounded like it was being done by the guy that scores General Hospital.

Ben: But then we got into it.

Nick: For one, I could watch Kristen Stewart have facial expressions for the rest of my life.

Ben: Dude, I think she’s like seventeen.

Nick: Really? I hope the police aren’t reading this.

Ben: Also, I find Kristen Stewart annoying in interviews. She’s always darting her eyes around and touching her face like she’s in a commercial for headache medicine.

Nick: Whatever. Then a bunch of shirtless underwear models in jean shorts turn into werewolves. Um, our final movie this month, appropriately, is all about the end of the world. It’s called 2012.

Ben: It asks a question that is on all of our minds: If I and everyone I know were to die in a world-wide natural catastrophe in the year 2012, will John Cusack be okay?

Nick: In this movie, Woody Harrelson plays a manic hippy who's always ranting about conspiracies.

Ben: So he plays himself. In this film the Sackman, and his two kids and baby-momma, are always just barely escaping, in cars and planes, from ground fissures, floods, fires, and collapsing urban infrastructure.

Nick: All this grand-scale destruction, of things both man-made and natural, is really amazing and fun to behold on the big screen. What all three of our movies this month taught me is that computer effects finally don’t suck anymore.

Ben: It was bound to happen eventually. It turns out, in the movie, that the government, just in case the Earth is ever befallen by awesome computers effects, has a secret plan that would evacuate all top politician, billionaires, and Lady Gaga.

Nick: Ben, I was able to suspend my disbelief about the likelihood that every possible natural disaster could occur at once, but this movie lost me when it used Danny Glover to portray America as having a black president.

Ben: You should watch the news more. Speaking of Mel Gibson, as most people know, this is all in accordance with a prediction from the ancient Mayans, who apparently predicted that the world would end in the year 2012.

Nick: And, if I’m remembering it correctly, according to the hit Mel Gibson movie Apocalypto, the ancient Mayans helped the Jews kill Jesus.

Ben: Merry Christmas, Everybody!

Tuesday, November 3, 2009

Episode # 23 (November 2009)

This Is Where The Wild Capitalists Are…Murdered!

Nick: Ben, let’s talk turkey.

Ben: Is it time to renegotiate our contracts again? I demand that I retain all of the movie rights to my review of G.I. Joe: The Rise of Cobra!

Nick: It sounds like you’re set for life, Ben. But I was referring to the fact that this episode we are celebrating Thanksgiving!

Ben: Or as God likes to call it, “Thanks Taking”.

Nick: So we’re planning to roast up a cinematic turkey, stuff it inside a duck stuffed inside a chicken, all of which will then be placed inside the Weiner Mobile and launched into The Sun.

Ben: This year I’m thankful for four things, I call them The Fantastic Four: my family, my friends, The Thing (by which I mean, my penis), and Jessica Alba.

Nick: Our first film this month celebrates a hot new trend among celebrities: dying. Now, I am not a scientist, so I don’t know why all of these celebrities are dying, but I think that it might be The Rapture.

Ben: This Is It is a concert film, but it is constructed from filmed rehearsals of a tour that Michael Jackson was on the verge of beginning when he died, earlier this year.

Nick: It’s since been discovered that, at the time of his death, Michael Jackson was on everything but skates. However, in the movie Michael Jackson is at the top of his game physically, and still a total badass on stage. So it turns out that drugs are good for you.

Ben: If you can avoid dying.

Nick: Yeah, but that caveat applies to everything. Our next movie this month was Where The Wild Things Are. I cried during this movie. But I always cry when I can’t stop yawning.

Ben: Watching Where The Wild Things Are is like being at a really boring party, where nothing happens, except everyone at the party is a member of the band from Showbiz Pizza.

Nick: This movie tells the story of a boy dressed like a wolf, who, after having a fight with his mom and his sister, sails to an island to hang out with The Banana Splits.

Ben: The boy then becomes the King of the Island, by telling the Wild Things that he possesses a “Sadness Shield” that can “keep out all of the sadness”.

Nick: Alert readers will recall that this is exactly what led to the election of Barack Obama.

Ben: Okay, simmer down there, Ron Paul.

Nick: Then nothing happens, then more nothing happens, and then they build a fort, and then more nothing happens.

Ben: If Michael Jackson’s doctor had just shown him this movie, then he would have slept like a baby.

Nick: But you’ve got to hand it to them, Ben, the filmmakers did capture the essence of childhood, in that, as I recall, childhood was soul-crushingly dull.

Ben: I can’t believe that Roger Ebert gave this movie three stars. Especially since me and the Rog have always seen eye-to-eye on the concept of chocolate cake.

Nick: Next we watched the most horrifying film ever to not be presented by Tyler Perry: Halloween II. This is the Rob-Zombie-directed sequel to his 2007 remake of the classic horror film of the same name. It's pretty much what you would expect: some dude in a rubber mask stabs many, many people to death.

Ben: The message: if you are going to stab many people to death, wear a rubber mask. This protects against blood-born pathogens such as Mr. Hyde and Body Snatcher Invasion. Also herpes.

Nick: At the big Halloween part at the end of the movie there was a ghoulish stand-up comedian which made me realize the potential out there for Halloween-themed stand-up comedy:

Frankenstein's monster is here, everyone. There haven't been this many different body parts in one person since Paris Hilton's birthday party!

Dracula is here with The Brides of Dracula. Drac, you are an old guy with three girlfriends: you are the Hugh Hefner of Transylvania. And I'm not saying he's on Viagra but just now I went in to hug him and I almost got stabbed in the heart with a piece of wood!

Ben: You realize, Nick, those aren't real monsters and you're just roasting a group of crying trick-or-treaters in costumes that you’ve been holding hostage since Halloween.

Nick: Speaking of Halloween costumes, Ben, I can't help but notice that you are wearing a barrel held over your torso by suspenders.

Ben: Yes, Nick, the economy has gotten so bad that I've had to start buying whisky in bulk. This is how they sell it at Sam's Club.

Nick: So, you're wearing a barrel full of whiskey. Isn't that dangerous?

Ben: Only at fraternity parties. The other night some guy tried to tap my ass!

Nick: And so it is in these hard economic times that Michael Moore's Capitalism: A Love Story couldn't be more relevant. The basic thesis of the film is that capitalism, as a system, is ultimately harmful to society and anti-democratic.

Ben: And to silence anyone who might accuse him of having a simple-minded, even fairy-tale-like view of the free market, Michael Moore brings in economics expert Wallace Shawn. Seriously.

Nick: Really, Michael, you're going to have derivatives explained to me by a guy who couldn't even figure out which cup the poison was in? Inconceivable!

Ben: Also, the title is never quite explained.

Nick: I thought it was supposed to mean that capitalism does to America what two people who love each other very much do to one another on their wedding night.

Ben: Yeah, capitalism, stop acting like you're going to tenderly feed me cake, only to moosh it in my face!

Nick: Ben, I must say here that as a devout Libertarian, I believe that government intervention is what caused the market to collapse.

Ben: Yes, and as a devout Branch Davidian, I believe that government intervention is what caused David Koresh to be on fire.

Nick: This calls for a drink.

Ben: Hey, get your Silly Straw out of my bunghole!

Tuesday, September 29, 2009

Episode # 22 (October 2009)

The State Of Sorority Beer In Hell

Ben: Welcome, Ben and Nick In The Aisle! fans, to our new self-published format, which will be available every month, in a compost heap or paper mache paste near you!

Nick: I realize now that there is a fine line between self-publishing and littering.

Ben: Our lawyers have advised us against both. Nick, as you may be barely perceiving through that hangover that you call your five senses, we are currently broadcasting live from Shady’s Massage Parlor and Movie Rental Emporium. At Shady’s every RomCom has a happy ending!

Nick: Boy, it’s getting spooky in here!

Ben: Hey, man, he who smelt it dealt it.

Nick: No, I mean, the Month of October is finally upon us, a month so pagan and decadent, that even the leaves are like, “suck it, I’m out of here”.

Ben: October 31st, many readers may know, is Halloween and also Reformation Day. This day celebrates an event in 1517, in Wittenberg Germany, when Martin Luther dressed up like the St. Pauli Girl and nailed his 95 Theses to the door of the cathedral. Then he knocked on the door and asked for candy.

Nick: The Snickers of time is packed with the peanuts of history.

Ben: Our first film this month is about sorority girls getting murdered, which sounds hilarious, but it’s actually a horror movie. It’s called Sorority Row.

Nick: This gritty docudrama takes us deep inside the workings of a sorority house, which, as I’ve long suspected, turns out to involve vigorous bare-bottomed pillow fights.

Ben: The plot gets going when six of the senior sisters decide to play a trick on a guy named Garrett, who had previously cheated on one of them (the one named Megan). They make it look like Garrett has accidentally killed Megan, in an apparent roofies-related incident that they encouraged him into.

Nick: A dab’ll do ya, on the roofies.

Ben: The sisters drive the guy out to an abandoned mine, or something, to ostensibly get rid of Megan’s body, while Megan continues to pretend to be dead. However, this good-natured exercise in mental terrorism goes badly off the rails, when Garrett, who seems to think that part of getting rid of a dead body involves removing the lug nuts, plunges a tire iron into Megan’s heart.

Nick: Thus proving the age-old adage, “The hardest part of pretending to be dead is stopping your heart.”

Ben: Then the movie cuts to 18 months later, and the sorority girls start getting killed by a cloaked figure, who wields a weaponized tire iron, blah, blah, blah. Because he knows what they did last summer. And then Jason’s mom builds a Star Gate on an Indian burial ground.

Nick: Your brain has become a collage. Our next movie was a charming romp for the whole family, called I Hope They Serve Beer in Hell. It tells the story of a guy named Tucker, who says hateful things to women and then has sex with them.

Ben: He is joined by one of his friends, Drew, who, in sharp contrast with Tucker, says hateful things to women, but then doesn’t have sex with them. They both go on a road trip with a third friend, Dan, who is getting married soon, and so must be taken to a strip club for one last chance to look at naked ladies, and then, you know, say hateful things to them.

Nick: But this does bring up a valid point about flirting: it usually takes the form of insults.

Ben: Which is why, when I’m counting my fan mail, I include parking tickets.

Nick: Wikipedia tells me, Ben, that this movie was protested at some of the screenings, due to the fact that it glorifies drunk people having sex. According to the demonstrators, an intoxicated person cannot consent to sex, therefore the movie is portraying rape.

Ben: This leads directly to the startling conclusion, Nick, that as we speak, scores of drunk men and women are simultaneously raping each other.

Nick: Two rapes don’t make a right.

Ben: Speaking of violated vulvas, our next movie is about bad things happening to Ben Affleck.

Nick: That’s right, this month’s Ben And Nick In The Video Aisle selection is a taut and flashy thriller call State of Play. The female lead in this movie is so hot, she literally looks exactly like Rachael McAdams.

Ben: That’s because she is Rachael McAdams.

Nick: The plot involves Congressman Ben Affleck—

Ben: Pshaw.

Nick: --who is leading an investigation into a corporation called PointCorp, a war contractor, when his lead researcher, whom he is boffing, dies under mysterious circumstances. For help he turns to a disheveled hotshot reporter played by Russell Crowe.

Ben: Russell Crowe has connections everywhere. He’s sort of the Danny Ocean of Carl Bersteins.

Nick: Basically, this movie teaches us the lesson that just because you’re cheating on your wife doesn’t mean that you can’t redeem yourself by demonizing corporations for making money.

Ben: I disagree, Nick. If we trusted our security to organizations motivated by profit, what would that lead to?

Nick: Efficiency?

Ben: Nick, we can’t give people guns, the authority to kill, and a monopoly on the market to do so.

Nick: Unless they’re employed directly by the government.

Ben: Yeah, then it’s perfectly fine. Also, you’re forgetting, of course, that at the end of the movie there’s a twist. Which contradicts 100% of what you’re saying.

Nick: Well, it contradicts 100% of what I’m saying, a little.

Ben: My favorite part of the movie was the ending credits, during which we follow the journey of a bundle of newspapers being assembled in the factory, from printing press to final distribution.

Nick: Somewhere the ghost of Mister Rogers is changing his shoes and singing. In Hell.

Ben: Oh, and Jason Bateman was great in this movie. To this day, I am seething with hatred for the idiots among our population that didn’t give Arrested Development the viewing attention it deserved.

Nick: What’s that?

Ben: Arrested Development.

Nick: Never heard of it.

Monday, September 28, 2009

Episode # 21 (June 2009)

Ghosts Of Girlfriends Murdered By Sabertooth

Ben: Readers, as of this writing, Little Five Weekend has recently ended. I don’t remember what happened, but as your doctors, we recommend a glass of buttermilk and an abortion pill.

Nick: Little Five was a nail biter, Ben. I lost a thousand dollars when Musket Man pulled ahead of Chocolate Candy.

Ben: No, no, I think you’re thinking of the thing with the horses.

Nick: The Middle Ages?

Ben: Yes. … The Middle Ages. With the ending of Little Five, Readers, everyone is cramming for finals, finally cramming, and Nick is eating himself to death.

Nick: I forget what my major is, Ben, but I think it’s Communism.

Ben: Our advice is, if you don’t know a fill-in-the-blank question, then write-in “Patriarchy”. Then fill-in your bubbles in the shape of a penis.

Nick: Speaking of sexism, our first film, this outing, was a steaming pile of rom-com called Ghosts Of Girlfriends Past. In it Matthew McConaughey is a profligate philanderer who has come to his little brother’s wedding, specifically to talk him out of marriage. According to Matty McHay-Hay, love is a trick and a sham.

Ben: However, Math-coo McCooCaChoo’s plan hits a snag when, while trying to bag some bridesmaids, he starts getting visited by, well, ghosts of girlfriends past. Obviously, this is all a redo of Charles Dickens’s snowy oldie A Christmas Carol, which any historian will tell you, was technically the first after-school special.

Nick: I would have rather seen a film called Ghosts Of Movies Past, where an angel visits McConaughey and shows him an alternative reality wherein cancer has been cured, and all wars have ended, simply because he never made The Wedding Planner or Failure To Launch.

Ben: I would call that film Dr. Dumb Love: Or How I Learned To Give Up And Stop Collaborating With Kate Hudson.

Nick: We have empirical proof that this movie isn’t funny: Nobody laughed at it. The only laughs that I heard were earned by Michael Douglas, who played McLayMe’s seduction-guru uncle, who teaches a young McConehead the ways of the player, while driving a Convertible Cadillac that he refers to as the “stabbin’ wagon”.

Ben: I’ve started calling my car the “Intercourse Prius”.

Nick: Michael Douglas has the look and especially sunglasses of infamous playboy and movie producer Robert Evans. The producers on this movie actually saved a lot of money on special effects, since several weeks before shooting all of his scenes as a ghost, Michael Douglas actually died.

Ben: Senselessly cut down, just shy of his 400th Birthday.

Nick: I think that the Michael Douglas character, even though he represents the wrong point of view, has some interesting things to say about women being attracted to personality, whereas men are more attracted to looks. Do you agree with that, Ben?

Ben: Nick, if you are asking the women of this fair city to choose between my looks and my personality, then you are giving them a Sophie’s Choice.

Nick: You’re right. Our next movie was actually a lot funnier than Ghosts of Girlfriends Past. It was X-Men Origins: Wolverine.

Ben: This movie [SPOILER ALERT] tells the classic tale of boy meets girl, girl pretends to get murdered, boy wrestles with Liev Schreiber.

Nick: It starts off with a montage of Wolverine and his brother Sabertooth, who both have “mutant healing factor” which enables them to heal from anything and never age, as they are seen fighting in every major American war, and kicking ass.

Ben: Then they’re recruited to join a special squad of mutants for the government, blah, blah, blah. You know, Nick, I would have enjoyed this movie a lot more if it hadn’t been for what was obviously a paid product placement for having your skeleton bonded with adamantium.

Nick: Ben, movies are a business. What I liked about this movie was all of the surprise appearances by other superheroes. I’m pretty sure I saw Captain America missing a bus under the opening credits.

Ben: And then naked Wonder Woman was all like, “Was Superman just here?” And the Invisible Man said, “I don’t know, but my ass sure is sore.”

Nick: I thought that the guy that played Gambit seemed kind of wimpy. Really, Hugh Jackman isn’t the toughest guy in the world either. What’s next? A bunch of Scorsese movies starring Leo DiCaprio?

Ben: Ironically Nick, you’ve demonstrated a lot of foresight, by destroying your memory with booze.

Nick: What was I just saying?

Ben: The plot is mainly about Wolverine trying to kill his brother Sabertooth, to avenge the death of his lady friend. But then it turns out [SPOILERS LIKE A PORSCHE] that Sabertooth didn’t really kill her. Then it turns out that she was just pretending all along to be his lover. Then Wolverine wakes up in the shower in 1986 with Bobby Ewing.

Nick: I thought the movie was pretty okay, but the reviews have been brutal. Peter Travers of Rolling Stone writes, “This movie made me so sick of Professor X, that I am now publicly advocating violence against the handicapped.”

Ben: Word. And Roger Ebert of the Chicago Sun Times writes, “After seeing this movie, it is my sincere hope the Hugh Jackman does not repeat his victory as People’s Sexiest Man Alive. It’s not that I don’t think he’s sexy. I just want him to die.”

Nick: Strong words from The Rog. Well, please join us next month when, as a tribute to Wolverine’s “adamantium”, we will have a musical performance from Adam Ant, plus some guy named Ian.

Ben: That joke was really weird.

Nick: You know, Ben, if months were years, our column would be old enough to drink now.

Ben: I’ll drink to that.

Episode # 20 (March 2009)

Jason Jonas: The Legend Of Kate Winslet’s Butt

Ben: Hey, our editor just called and asked why we’re not in her Inbox yet.

Nick: Will the sexual harassment never end? Call her and say that we’re almost done.

Ben: Yeah, but we just started.

Nick: Ben, comedy is like dairy products: The farther past its deadline, the funnier.

Ben: For our first movie this month, Nick, we finally got around to watching The Reader, for which Kate Winslet finally won an Oscar. She’s always been fond of nudity, but for this film she really loads up the nudity gun, and opens fire at the mall. Uh, metaphorically.

Nick: Since I live in a city with electricity, Ben, and I have eyes, I’ve seen Kate Winslet’s boobs a lot. And I have to say, I think they looked bigger in the sinking-boat movie.

Ben: That’s probably why they called that movie Titanic. Maybe that’s what Dad was talking about when he used to get drunk in our treehouse, and start mumbling that women “age like a birthday cake in the rain”.

Nick: Really though, I think that this movie is a parable about being careless about whom one has sex with. Because sure, it’s fun to be a 15-year-old banging Kate Winslet, but before you know it, she turns out to be a Nazi. It’s just not worth it.

Ben: In my experience, that happens 100% of the time. I’m reminded of Last Tango In Paris, in which anonymous sex lead to [spoiler alert] Marlon Brando dying, and that chick with the big bush getting elevated cholesterol.

Nick: Yeah, most people, when they block their arteries with butter, they do it the long way.

Ben: Our next movie, Nick, is Friday the 13th, which is sort of a remake of all the other Jason movies at once.

Nick: I think it’s safe to say, Ben, that what Jaws did for swimming, the Jason movies did for getting murdered with a machete.

Ben: Yeah, it’s going to be weeks before I can do that again. The new Jason movie starts with a bunch of kids camping in the woods, and having sex. As we learned in Cub Scouts, having sex in the woods is a pretty good way to invite a Jason attack.

Nick: Those kids are killed by Jason, then we meet a new group of kids, who, having not seen the movie that they’re currently in, think it would be a good idea to go to the woods and have a bunch of sex.

Ben: There’s a cocky blond guy, another cocky blond guy, an Asian guy, a black guy, and a few hot white chicks.

Nick: The Asian guy must have been improvising, because his “witty” banter is the only one that doesn’t sound like it was being written by a beaten-to-death Speak & Spell.

Ben: Unlike the original Friday The 13th, this movie has some semblance of a plot, as the brother of one of the earlier victims is among the second group, searching for his sister. However this film lacks the original’s badass, incessant use of Killer Point-Of-View camera work, which it pioneered among horror movies. Ever since I saw that first film, Nick, I’ve been having all of my experiences from the First Person.

Nick: That takes balls. Our next film, Ben, really tested our commitment to movie reviewing. It was a mindblowing visual odyssey, entitled, appropriately, The Jonas Brothers 3D Concert Experience. How was your Jonas experience, Ben?

Ben: I would have rather been swallowed by a whale.

Nick: Old Testament reference? Everybody drink! I was not familiar with the Jonas Brothers, and Ben pretended not to be. That is, until we saw this film, which intersplices a live concert with the brothers being engulfed by hysterical female fans, A Hard Day’s Night style.

Ben: The 3D glasses not only made objects in the movie seem to float beyond the screen, but they also hide one’s identity from the embarrassment of being seen at this movie.

Nick: There are three Jonas Brothers: Joe, who I call “Risky Business” Jonas; Nick, who I call “Colin Hanks” Jonas; and, Kevin, who I call “The Other Colin Hanks” Jonas.

Ben: At one point in the concert someone name Demi Lovato shows up, to add a feminine touch to this festival of underage sex symbols. When Taylor Swift showed up, it looked like the brothers were singing a love song to their babysitter.

Nick: Dude, Taylor Swift is like 19.

Ben: Really? Well, she set off my appropriate-dar.

Nick: Then, when the 15-year-old girls sitting all around us were worked into a near frenzy, Joe Jonas brings out this guitar-shaped cannon connected to a hose, and sprays down the concert audience with what appeared to be pressurized sperm.

Ben: Their songs ranged from somewhat rocking to unplugged sentimental.

Nick: Ben, I’ve had chiropractic adjustments that were less poppy.

Ben: Finally, we saw Street Fighter: The Legend of Chun Li. And it’s fitting that in this movie’s title “The Legend of Chun Li” comes out of a colon; because it was total shit. Chun Li’s dad gets kidnapped by gangster businessman M. Bison, blah, blah, blah. At one point she’s wandering around in Bangkok, and her narration is all like, “At that point I went through a lot of important and interesting emotional changes.” Oh, really? Maybe you should make a movie about it!

Nick: Every time I thought about walking out, American Pie’s Chris Klein would show up as badboy cop Charlie Nash. His performance was crapulicious. He swaggers around like a lobotomized Keanu Reeves, and says stuff like, “You don’t want to buy a ticket to this dance, Lady,” and “Nash out!”

Ben: I predict that at next year’s Golden Raspberry Awards, Chris Klein will tie with Ben Bernanke.

Nick: Topical. Chun Li is prepared for her inevitable battle with M. Bison by a guru named Gen, who teaches her how to generate and throw a pink ball of energy.

Ben: A lot of women never learn how to do that.

Nick: It takes patience.

Episode # 19 (February 2009)

Wrestling With The Curious Case Of Your Hitler/Milk Mustache

Ben: The first movie we watched was The Curious Case of Benjamin Button, which despite what the title might seem to imply, is not about an animate Teddy Bear who stimulates your clitoris.

Nick: Wow. We are not encouraging Teddy Ruxpin abuse.

Ben: The film is about a man, played by Brad Pitt, who ages backward. He spends his childhood in a nursing home in New Orleans in the early part of the 20th century, becomes a sailor, and just around the time he starts looking all Brad-Pitty, everyone he knows dies of old age. Nothing else really happens, except the standard, protracted, 100-Years-of-Solitude-style love story. In this case, Mr. Button spends his time at sea pining for a ballerina played by Kate Blanchett.

Nick: When Button first meets the love of his life he is an old man and she is a little girl, proving that before the Internet, pedophilia was classy, even magical.

Ben: Yeah, but it just didn’t have fun with the premise the way other movies about time have. In Groundhog Day, Bill Murray keeps getting better at the same day. In Memento, the lead character is trying to solve a murder. Here the lead character just sort of wanders through history like Forest Gump, but without all the hilarious mental retardation.

Nick: Ben, the screenplay was based on a short story by F. Scott Fitzgerald, who became famous for writing The Great Gatsby and then disappearing into such an alcoholic stupor that to this day his corpse is still pissing itself.

Ben: Nick, you know how in the twenty-first century the really hip heterosexuals dress like gay men from the 1970s?

Nick: Sadly, yes.

Ben: Well it turns out that there was one group who was actually persecuted for doing that: ironically, gay men in the 1970s.

Nick: Milk, our next film, is a biopic, chronicling the life of Harvey Milk, a gay rights activist who, in 1977, became the first openly gay man to be elected to public office.

Ben: Not to be confused with Mr. Peanut, the first openly gay food spokesperson.

Nick: A lot is made of Milk’s assassination, but it seems that Dan White, the assassin and a fellow City Supervisor, might have just gone crazy when he lost his job.

Ben: He was probably crazy in the first place. I mean have you seen our City Council? At least on member video conferences in from a holding cell at Guantanamo Bay. Also rampant diaper fetishism.

Nick: Famously, at Dan White’s trial the defense argued that their client was severely depressed due to low blood sugar. This became know as “The Twinkie Defense.” And it worked!

Ben: My god, was there no “Chocodile Cross-Examination?!”

Nick: You know, Ben, Milk made me think that it’s time we agitated for our own particular minority group.

Ben: Hanna Montana fans in their 20s?

Nick: No. Twins. We could commit some horrible crime and then argue that society’s demeaning portrayals of Identical Americans drove us temporarily insane.

Ben and Nick: The “Twinkie Defense!”

Ben: Our next film is a continuation of the theme of homosexuals overcoming great odds: Tom Cruise trying to kill Hitler.

Nick: Valkyrie is the true story of an attempt by members of the Nazi party’s own inner-circle to off history’s most unfunny Charlie Chaplin impersonator. Tom Cruise stars as a German Colonel who, due to a serious battlefield injury, wears an eyepatch and is missing most of his right arm. This clearly symbolizes 1940s Germany’s “short-sightedness” and also its inability to make itself happy just before bed.

Ben: I looked into it and apparently there were seventeen documented attempts on Hitler’s life, many with big bombs, and though innocent people and weiner dogs were getting blown up right and left, Hitler always miraculously escaped.

Nick: I assume by miraculous you don’t mean actual miracles.

Ben: There’s no other explanation. Nick, when you looked back and there was only one set of footprints in the sand: that was Jesus carrying Hitler.

Nick: Well, I felt that the movie’s suspense was limited because the filmmakers, predictably, refused to kill Hitler. I mean, take some creative license. Just imagine it: you’re two hours into this kind of boring, very serious World War II movie, the plot to kill Hitler just failed.

(CUT TO: HITLER standing in front of a large picture window at the top of a government building. He hick-ups, then turns around)

HITLER: I have ze hick-ups!

(HITLER hick-ups again, this time sucking his mustache clean off and into his windpipe. He starts choking.)

HIMMLER: Ze Fuhrer is choking on his mustache! For God’s sake, do something, Herr Doctor Heimlich!

(CUT TO: An old man scribbling wildly at a table covered in papers.)

DR. HEIMLICH (frantic): It’s not ready yet!

HIMMLER: Just do it!

(DR. HEIMLICH picks up HITLER by his ankles and swings him around in a circle, then out the window, shattering it. Long pause.)

HIMMLER: It wasn’t ready yet!

(CUT to HITLER’S BODY splayed and broken on the ground below. His arms and legs are twisted to resemble a swastika. CLOSE UP: In his left pocket is a jar of peanut butter, in his right an oversized chocolate bar with a gob of peanut butter on it. VOICE OVER: “And so the world would have to wait for the delicious taste of chocolate and peanut butter!”)

Ben: Now that’s how you end your docu-drama!

Nick: Mind fuck, your table’s ready!

Ben: Next we watched The Wrestler. Mickey Rourke makes his much-ballyhooed comeback as an over-the-hill professional wrestler who is in love with a stripper with a heart of gold, played by Marisa Tomei.

Nick: There are a lot of scenes of Marisa Tomei dancing around topless, which is now the screensaver on the inside of my eyelids.

Ben: Well, that’s what we’re fighting for, boys. Now go out there and kill Hitler!